ABOUT LICENSING - PRODUCTION MUSIC

COMMERCIAL or BROADCAST

A commercial or broadcast license typically covers usages involving public broadcasting or distributing licensed music through traditional media channels. The commercial or broadcast license can include the following:

• Television Broadcast: Licensed music usage for use in television programs, shows, series, commercials, or any other content intended for broadcast on television networks.

• Radio Broadcast: The licensed music includes radio programs, commercials, or other content for radio station broadcasts.

• Advertising and Commercials: The licensed music includes use in advertisements, promotional campaigns, commercials, jingles, or any other content created for commercial purposes.

• Online Streaming Platforms: Licensed music can be used on streaming platforms, primarily broadcasting audio or video content to the public.

• Indie Film: Use music in a single film or video distributed online or for submission to film festivals. Not to be used for broadcast or promoting a product, brand, or service.

• Films / Trailers: Negotiable

PERSONAL or NON-BROADCAST

A personal or non-broadcast license covers usages not involving public broadcast or distribution through traditional media channels. Usage can include:

• Personal Projects: The licensed music is for personal projects, such as home videos, individual websites, or non-commercial presentations.

• Special Occasions: Creating a slideshow or film that covers a special event such as a wedding day, birthday, anniversary, or similar event. Not for creating a film or slideshow to promote a business related to the event.

• Business / Website: The licensed music includes promotional materials, website background music, corporate videos, and internal use within a business or organization.

• Non-Profit: Use for creating a film or slideshow for a non-profit organization. Content may include company highlights, event coverage, cultural highlights, employee insights, or campaigns not involving commercial exploitation.

• Podcast: Individuals producing a podcast using the music as bumpers, underscores, intros, outros, or transitions within a single audio podcast episode.

• Vlog: Use a music track in a video - blog (vlogging) hosted on the web. You can monetize through views, ads, YouTube, or other social video channels as part of the blogosphere world.

• Short Film / Student Film: The licensed music for short film/student film with limited budgets and distribution scope.

• Webisode: Use music in an episode of a series distributed as web television (webisode).

A music license for production is necessary to ensure you have the legal rights to use copyrighted music in your creative projects. Here are some reasons why a music license is essential:

• Copyright Protection: Music, under copyright law, grants exclusive rights to the original creators, composers, and publishers. A music license provides the necessary permissions to use the music legally and prevents copyright infringement.

• Intellectual Property Rights: By obtaining a music license, you respect the intellectual property rights of the composers, songwriters, and musicians involved in creating the music. It acknowledges their creative contributions and compensates them for their work.

• Avoid Legal Issues: Using music without proper licensing can lead to legal consequences, including lawsuits and financial penalties. A music license helps you avoid copyright infringement claims and ensures compliance with copyright laws.

• Royalty Payments: The licensee is not responsible for any additional fees or royalty payments beyond the agreed-upon license fee with this music license. The license fee covers the necessary rights to use the licensed music outlined in the agreement, ensuring a clear and upfront understanding of the financial obligations.

• Permission for Specific Usage: Music licenses define the specific usage rights granted to you, such as the duration, territory, media platforms, and intended use. It clarifies and protects both the licensor and licensee regarding permitted usage.

• Clear Documentation: A music license provides clear documentation of your rights and the agreed-upon terms of use. Documentation can be crucial when working with third parties, such as broadcasters, streaming platforms, or distributors, who may require proof of licensing for the music used in your production.

• Professionalism and Ethics: Obtaining a music license demonstrates professionalism, respect for intellectual property, and ethical practices in the creative industry. It helps maintain a positive relationship with composers, music publishers, and the broader music community. By securing a music license for your production, you ensure that you have the legal rights to use the music, support the creators, and protect yourself from legal issues related to copyright infringement.

YES, by using the commercial license.

No, there are no additional fees or royalties.

Yes, you can use the music in broadcasts. The library's music is for various media productions, including television, radio, films, commercials, online videos, and more.

When a production company, client, or licensee licenses music from Leland Bond Music for use in a broadcast, audio-visual project, or streaming platform, they typically are not responsible for any additional fees or royalties, including public performance rights. Instead, it is the responsibility of the broadcaster, network, cable network, or streaming platform to handle these obligations.

These companies typically obtain a "blanket license" from Performance Rights Organizations (PROs) such as BMI or ASCAP. A blanket license allows them to use music from various sources, including our library, within their programming.

The responsibility for payment of performance royalties lies with the broadcaster, network, cable network, or streaming platform, facilitated through their blanket license and cue sheet submissions to the PROs.

As part of their agreement with the PROs, broadcasters, networks, cable networks, or streaming platforms must submit a cue sheet to the Performing Rights Organizations (PROs) like BMI and ASCAP. The cue sheet includes details about the music used in their productions, including each track's title, composer, and duration. This information helps ensure accurate royalty distribution to the appropriate rights holders.

We are here to support and provide any necessary documentation to assist with cue sheet requirements or further clarification. Please feel free to contact us if you have any specific questions or concerns regarding the licensing and usage of our music in your production.

When a music production library mentions audience sizes in terms of households, it typically refers to the estimated number of homes that could be reached or exposed to the licensed music. Here's what each category generally means:

1. Audience (up to 1 million households): The license suits content with a relatively minor viewership or distribution, typically within a local or regional context. (Local)

2. Audience (up to 3 million households): This suggests a license covering a broader reach, potentially spanning a larger geographical area or combining multiple local and regional markets. (Regional)

3. Audience (3 million or more households): This category represents licenses suitable for content with a wide-scale reach, such as national or international broadcasts, where the potential viewership extends beyond 3 million households. (National)

These categories help music production libraries tailor their licensing options based on the scale of the intended distribution and viewership of the content. It allows content creators to choose the appropriate license that aligns with the expected audience size.

The responsibility for paying royalties for production music used in a broadcast lies with the entity that broadcasts the music. In most cases, the network or broadcasting company obtains the necessary licenses. It pays the applicable royalties, usually under its "blanket license," to the rights holders through Performing Rights Organizations (PROs) like BMI and ASCAP.

The details can vary depending on the licensing agreements and regulations in different countries or regions. Broadcasting companies often enter into agreements with PROs to obtain blanket licenses that cover a wide range of music used in their broadcasts. These licenses allow the broadcasting company to use the PRO's music catalog and ensure that the appropriate royalty payments go to the correct songwriters, composers, and publishers.

In conclusion, the client or production company that initially licensed the production music is typically not responsible for paying additional fees or royalties when the licensed music is in a broadcast. 

P.R.O.s (Performing Rights Organizations) offer blanket licenses to music users, such as broadcasters, venues, and streaming platforms. A blanket license grants the licensee the right to publicly perform all the works in the P.R.O.'s repertoire, which typically includes a vast catalog of music from various songwriters, composers, and publishers. Instead of obtaining individual licenses for each song, the blanket license simplifies the process by providing a single license that covers a wide range of musical works. The license fees collected by P.R.O.s are distributed as royalties to the respective rights holders based on the frequency and extent of the music's public performance.

Do production music libraries offer blanket licenses?

Yes, production music libraries can offer blanket licenses to specific users. While production music libraries typically offer individual track licenses, they may also provide blanket licenses to meet the specific needs of particular clients. Here's some information about blanket licenses offered by production music libraries:

• Broadcasters: Production music libraries may offer blanket licenses to broadcasters, such as television networks and radio stations. These licenses allow broadcasters to access and use a wide range of music tracks from the library's collection in their programming without needing individual track licensing.

• Production Companies: Some production music libraries offer blanket licenses to production companies or studios that produce multiple projects. A blanket license allows the production company to have a comprehensive license to use music from the library across their various productions, reducing the administrative burden of obtaining individual licenses for each project.

• Media Platforms: Production music libraries may provide blanket licenses to online platforms, streaming services, and other digital media outlets. These licenses allow the platform to offer its users a diverse music catalog, granting them the right to use the licensed music in their content without needing separate licenses for each track.

• Performance Venues: In some instances, production music libraries may offer blanket licenses to performance venues such as concert halls, theaters, and event spaces. These blanket licenses enable the venues to legally play various music tracks from the library during live performances without individual track licensing.

 It's important to note that the availability and terms of blanket licenses may vary among different production music libraries. Each library may have its particular licensing models and agreements, so it's advisable to consult with the library directly to understand the options they offer for blanket licensing.

PRO stands for Performing Rights Organization. 

PRO music refers to compositions registered with and managed by BMI, ASCAP, or other Performing Rights Organizations. Performing Rights Organizations represent songwriters, composers, and music publishers collecting and distributing performance royalties. 

When a musical composition is registered with a PRO, BMI, or ASCAP monitors and collects royalties for public performances of the registered works, this includes performances on radio, television, live venues, streaming platforms, and other public settings where music is performed or broadcasted. 

PROs play a crucial role in ensuring that songwriters and composers receive fair compensation for the public use of their music. They license the public performance rights of musical compositions to broadcasters, venues, and other entities that use music in public settings. 

The fees collected from these various licenses are distributed as royalties to the rights holders based on factors like the frequency of performances, audience size, and other relevant metrics. By registering their music with a PRO, songwriters and composers can effectively manage and monetize their rights. In contrast, music users can legally obtain licenses to use PRO-registered music in public performances or broadcasts. 

Additionally, there are performing rights organizations (PROs) in countries outside of the United States. These organizations exist in many countries worldwide to protect the rights of music creators and ensure they receive royalties for the public performance of their music. 

Examples of PROs in other countries include SOCAN in Canada, PRS for Music in the United Kingdom, APRA AMCOS in Australia, and SACEM in France.

Music rights refer to the legal protections and permissions associated with music's use, reproduction, distribution, and performance. These rights are granted to different individuals or entities involved in creating and disseminating music and ensure that they have control over how their music is used and receive fair compensation for its usage. There are several types of music rights:

• Copyright: Copyright is the fundamental right that grants exclusive control to the creators of original musical works. It provides the right to reproduce, distribute, publicly perform, and display the music. Copyright protection is automatic upon the creation of the work and generally lasts for the life of the creator plus a designated period after their death.

• Mechanical Rights: Mechanical rights pertain to the right to reproduce and distribute a musical composition. These rights are usually administered through collective management organizations or music publishers. Obtaining mechanical licenses allows individuals or companies to record and distribute cover versions of copyrighted songs. For example, in the United States, The Harry Fox Agency (the oldest), Music Reports and Mechanical Licensing Collective (MLC).

• Performance Rights: Performance rights involve publicly performing a musical work. These rights include live performances, radio or television broadcasting, playing music in public venues, and digital streaming. Performance rights are managed and licensed by performing rights organizations. For example, in the United States, the PROs are ASCAP, BMI, and SESAC.

• Synchronization Rights: Synchronization rights (sync rights) refer to the permission required to synchronize music with visual media, such as films, TV shows, commercials, and video games. These rights are typically negotiated directly with the music copyright holders or their representatives.

• Master Rights: Master rights are associated with the specific sound recording of a musical work. These rights belong to the owner of the recording, which is often a record label or the artist. Licensing master rights allow the use of a specific recording in various contexts, such as films, commercials, or digital platforms.

 Understanding and obtaining the necessary music rights is crucial to ensure legal compliance and to respect the rights of creators and copyright holders. When using music in various projects or platforms, securing the appropriate licenses and permissions is vital to protect all parties' rights.

• When is a cue sheet required?
• Who is responsible for cue sheet submissions?
• What if a cue sheet is not submitted?
• Are cue sheets the only option?
• What information is on a cue sheet?

What is a cue sheet?

A cue sheet is a document that provides detailed information about the music used in an audiovisual production, such as a film, TV show, commercial, or documentary. It is a crucial tool for tracking and reporting music usage for royalty and performance rights distribution.

A typical cue sheet includes the following information:

Production Information: Details about the audiovisual production, including the title, episode/segment title (if applicable), production type, and total duration.

Cue Information: Each musical cue used in the production is listed separately, typically chronologically. The cue information includes:

• Cue Number: A unique identifier for each music track.  
• Title: The title of the composition or piece of music.
• Composer: The name of the composer(s) or songwriter(s).
• Publisher: The publishing company associated with the composition.
• PRO Affiliation: The composer and publisher performing rights organization(s) like BMI or ASCAP
• Duration: The duration of the cue.
• Usage Description: Describes the music used in the production, background, featured, logo, vocal feature etc.

You may need to include additional details such as the ISWC (International Standard Musical Work Code) or additional information requested by the relevant organization.

Cue sheets ensure accurate royalty distribution to composers, songwriters, and publishers. Performing rights organizations rely on cue sheets to track and identify the publicly performed or broadcasted compositions, allowing them to allocate royalties appropriately.

Production companies, broadcasters, and distributors must maintain accurate cue sheets and provide them to the relevant performing rights organizations to ensure proper compensation for the music used in their audiovisual productions. 

When is a cue sheet required?

The following scenarios are required:

• Audiovisual Productions: Cue sheets for audiovisual productions, such as films, TV shows, commercials, documentaries, and web series. These cue sheets document music usage in these productions and provide essential information for tracking and reporting to performing rights organizations (PROs). 

• Broadcasting: Music broadcasted on television, radio, or streaming platforms, cue sheets are often required. Broadcasters use cue sheets to report music usage to PROs for royalty distribution. 

• Public Performances: In situations where publicly performed, such as live concerts, theatrical performances, or events, cue sheets may be necessary. They help identify the compositions performed and distribute performance royalties to the appropriate rights holders.

• Sync Licensing: Music synchronized with audiovisual content, such as in movies, TV shows, advertisements, or online videos, cue sheets are commonly required. These sheets detail the specific placement and music usage within the synchronized content. 

Particular requirements for cue sheets may vary depending on the jurisdiction, the performing rights organization involved, and the licensing agreements in place. 

It's a good idea to consult the relevant PROs, broadcasters, or licensing entities to obtain their specific cue sheet guidelines and ensure compliance with their reporting requirements. 

Who‘s responsible for cue sheet submissions?

The responsibility for submitting a music cue sheet typically lies with the production company or the entity responsible for the overall production, such as a TV show, or movie. It is their responsibility to ensure that a cue sheet is accurately prepared and submitted to the relevant parties like BMI or ASCAP (PROs).

• In some cases, the production company may work in collaboration with the music supervisor or the post-production team to compile the cue sheet from the EDL “edit decision list”. However, the ultimate responsibility for its accuracy and submission rests with the production company.

In the case of commercials, the responsibility may lie with the advertising agency or the production company responsible for creating the commercial. However, it's important to note that the actual responsibility for cue sheet submission should be defined in the contracts and agreements between the parties involved in the production.

It's advisable to consult with the relevant broadcasters, networks, or distributors to obtain their specific cue sheet requirements and guidelines to ensure compliance.

What if a cue sheet is not submitted?

If a production company, broadcaster, network, or streaming platform fails to submit a cue sheet or use an alternative reporting mechanism, it can affect the creators' royalties. Without accurate reporting, the PROs may not have the necessary information to identify the music used and allocate royalties to the appropriate rights holders, such as composers, songwriters, and publishers. In such cases, the PROs may face challenges in distributing royalties accurately. They might allocate the royalties based on general distribution rules, which may not accurately reflect the music usage resulting in a delay or potential loss of royalties for the creators. 

Production companies, broadcasters, networks, and streaming platforms must fulfill their obligations to report music usage accurately and timely to the PROs, helping ensure the creators receive their deserved royalties for their music's broadcast or audiovisual use.

Are cue sheets the only option?

For production companies, broadcasters, networks, or streaming platforms, cue sheets are necessary to report music usage to performing rights organizations (PROs) and ensure proper royalty distribution. 

However, cue sheets are not the only method for reporting music usage. Production companies, broadcasters, networks, or streaming platforms may sometimes have alternative reporting mechanisms, especially for digital media that utilize metadata and digital fingerprinting technologies to track music usage automatically. 

These technologies are prevalent and help identify and report music usage without relying solely on manual cue sheets.

It's advised to consult the specific cue sheet guidelines the PRO or broadcaster provided to ensure you include all required information and format it correctly according to their specifications.

Where does the production company or client send a cue sheet?

The production company or the entity responsible for the overall production typically sends the music cue sheet to the relevant entities involved in the music licensing and royalty tracking process. Here are the common recipients and where the cue sheet is sent:

• Performing Rights Organizations (PROs): Cue sheets are often sent to the designated PROs in the respective territories where the production will be broadcast or distributed. For example, in the United States, the major PROs are ASCAP, BMI, and SESAC.

• Music Publishers and Copyright Holders: The cue sheet is often sent to the music publishers or copyright holders of the licensed music tracks used in the production. This helps them track the usage and ensure accurate royalty calculations.

• Broadcasters and Distributors: The cue sheet may also be submitted to the broadcasters or distributors of the TV show, feature film, or audiovisual production. This helps them verify the music usage and facilitates royalty reporting.

The specific submission process can vary, but cue sheets are commonly sent electronically via email or through dedicated online platforms provided by the recipients. It's important to follow the submission guidelines provided by the respective organizations or recipients to ensure proper handling and tracking of the cue sheet.

Should I use a company with 50,000 tracks or 2,500 tracks?

A small-medium production music library owned and maintained by a seasoned media music composer like Leland Bond can be a good choice for your productions. Still, it ultimately depends on your specific needs and preferences. Here are a few factors to consider:

• Quality and Variety: Consider the quality and variety of music tracks available in the library. Ensure that the library offers a wide range of genres, styles, and moods that align with the diverse needs of your video or TV productions. The compositions, arrangements, and production quality should also meet professional standards.
• Customization: Determine if the composer and library are open to customization requests. Sometimes, you may require slight modifications to the existing tracks to better suit your specific scenes or themes. It can be beneficial if the library allows for some customization or offers the option for original compositions. 
• Licensing Terms and Costs: Review the licensing terms and costs associated with using the library's music tracks. Understand the usage rights, duration, and any restrictions that may apply. Consider the affordability of the licensing fees and ensure they align with your production budget.
• Collaboration and Support: Evaluate the level of cooperation and support the composer and library offer. Determine if they are responsive to inquiries, guide selecting suitable tracks, and assist with any licensing or technical issues that may arise during your productions. 

Overall, if the medium-sized production music library meets your quality standards, offers a diverse range of tracks, provides customization options, has favorable licensing terms, and offers good collaboration and support, it can be wise to utilize it for your productions.

Leland Bond Music offers ALL of these with sincerity and lightheartedness.

Another name for production music is "library music" or "stock music." Production music refers to pre-recorded music licensed for various uses, such as in films, TV shows, commercials, and other media productions. It's called "library" or "stock" music because it's readily available from a music library or stock music library. 

Production music libraries offer various pre-composed music tracks to fit different moods, genres, and production needs. When a production company, broadcaster, and other content creators look for music, they can use the production library for licensing options.

Using production music in broadcasts offers several advantages. It provides a cost-effective solution for obtaining high-quality music that fits the desired tone and style of the production. It also simplifies the licensing process, as production music libraries usually offer straightforward licensing agreements and clear usage rights.

By licensing production music from a reputable library, broadcasters can access a diverse catalog of music tracks suitable for their broadcasts while meeting the legal requirements and ensuring appropriate compensation for the composers and rights holders.

When licensing production music, there are several factors to consider. Here are some key points to look for:

• Licensing Terms: Understand the terms and conditions of the license agreement. Consider factors such as duration of use, media platforms, territories, and any restrictions or limitations.

• Usage Rights: Determine the specific rights you need for your project, whether it's synchronization rights (for music accompanying visuals), mechanical rights (for reproduction), performance rights (for public performance), or others.

• Quality and Variety: Assess the quality of the available music tracks. Look for diverse styles, genres, and moods to match your project's requirements.

• Customizability: Check if the music has edit possibilities or adapted to suit your specific needs, such as adjusting the length, adding or removing instruments, or creating loops.

• Clearances and Royalties: Verify if there are any additional royalty obligations beyond the initial licensing fee.

• Search and Metadata: Evaluate the availability of an efficient search system and comprehensive metadata for easy navigation and finding suitable tracks within the production music library.

• Licensing Fee: Consider your budget and compare pricing structures and licensing fees among different production music libraries. Some libraries offer different pricing tiers based on usage, while others may have subscription models.

Considering these factors, you can choose the production music that best fits your project's needs and budget.

OWNERSHIP AND USAGE INFORMATION

Does using royalty-free music include ownership? 

Using royalty-free music typically grants the user certain usage rights but does not transfer ownership of the music. When you obtain a license for royalty-free music, you can use the music in your projects without paying royalties for each use. However, the original creator or copyright holder still retains music ownership. The license terms may vary depending on the specific royalty-free music library or provider, so it's essential to review the license agreement to understand the extent of your rights and any restrictions that may apply.

Are there usages that are not allowed when using royalty-free music? 

While royalty-free music grants you certain rights to use the music in your projects without paying ongoing royalties, there may still be restrictions depending on the specific license agreement or terms provided by the music provider. Reviewing the license agreement or terms of use for the royalty-free music you intend to use is essential to ensure compliance.

Can I use royalty-free music for any or all uses?

While royalty-free music generally provides broad usage rights, reviewing the specific license agreement or terms of use associated with the royalty-free music you intend to use is essential. In most cases, royalty-free music can be used for a wide range of purposes, including:

• Videos: You can use royalty-free music as background music in videos, such as YouTube videos, films, documentaries, commercials, or corporate videos.

• Podcasts: You can use royalty-free music as intro/outro or background music for podcasts.

• Presentations: Royalty-free music can enhance presentations by adding background music to slideshows, conferences, or other similar events.

• Websites: Royalty-free music used as background music for websites or in interactive applications.

• Personal Projects: Royalty-free music can add that creative touch to projects like home videos or blogs.

LIMITATIONS OR RESTRICTIONS ON USAGE INCLUDE THE FOLLOWING:

• Commercial purposes: Our royalty-free music licenses restrict the use of the music in commercial projects or for profit-generating purposes. Check the license agreement for details about license requirements for music in commercial contexts.

• Endorsements or associations: Royalty-free music prohibits association with specific endorsements, brands, or sensitive topics. The license terms specify restrictions on using the music in a way that implies endorsement or association with particular products, organizations, or controversial subjects.

• Broadcasting or performance rights: Royalty-free music licenses do not cover the use of the music in broadcasts or public performance contexts, such as radio, TV, live events, or public venues. Additional licenses or permissions for these uses are required.

• Redistribution or resale: In most cases, royalty-free music licenses do not permit the redistribution or resale of the music as a standalone product. The license agreement grants usage rights to the licensee but does not transfer ownership or distribution rights.

Should I use a company with 50,000 tracks or 2,500 tracks?

A small-medium production music library owned and maintained by a seasoned media music composer like Leland Bond can be a good choice for your productions. Still, it ultimately depends on your specific needs and preferences. Here are a few factors to consider:

• Quality and Variety: Consider the quality and variety of music tracks available in the library. Ensure that the library offers a wide range of genres, styles, and moods that align with the diverse needs of your video or TV productions. The compositions, arrangements, and production quality should also meet professional standards.

• Customization: Determine if the composer and library are open to customization requests. Sometimes, you may require slight modifications to the existing tracks to suit your specific scenes or themes better. It can be beneficial if the library allows for some customization or offers the option for original compositions. 

• Licensing Terms and Costs: Review the licensing terms and costs associated with using the library's music tracks. Understand the usage rights, duration, and any restrictions that may apply. Consider the affordability of the licensing fees and ensure they align with your production budget.

• Collaboration and Support: Evaluate the level of cooperation and support the composer and library offer. Determine if they are responsive to inquiries, guide selecting suitable tracks, and assist with any licensing or technical issues that may arise during your productions. 

Overall, if the small-medium-sized production music library meets your quality standards, offers a diverse range of tracks, provides customization options, has favorable licensing terms, and offers good collaboration and support, it can be wise to utilize it for your productions.

Leland Bond Music offers ALL of these with sincerity and lightheartedness.

When choosing background music for videos, films, or TV shows, it's essential to consider the scene's mood, tone, and pacing for your perspective scene. Here are a few popular genres and styles of music commonly used as background music in visual media:

• Orchestral Scores: These grand, sweeping compositions are often used in epic films or dramatic scenes to evoke emotions like suspense, triumph, or sadness. They can range from bombastic and powerful to delicate and expressive.

• Electronic Ambient Music or Electronic Soundscapes: Are able to create a sense of calm, mystery, or tension. They are commonly used in sci-fi, thriller, or atmospheric scenes to enhance the mood and immerse the viewer in the setting.

• Pop/Rock: Upbeat pop or rock tracks can give scenes an energetic and uplifting emotion. They can add excitement, joy, or celebration to the visuals, making them popular choices for montages, action sequences, or feel-good moments.

• Jazz/Blues: Jazz or blues music can create a sophisticated, classy atmosphere. Often is used in noir films, detective stories, or scenes that require a touch of nostalgia or coolness.

• World: World music from different cultures can enhance the authenticity of a specific setting or add an exotic flavor. These styles work well in travel documentaries, period dramas, or scenes in foreign locations.

• Ambient/Chillout: Calming, ambient, or chillout tracks can help establish a serene or reflective mood, commonly used in nature documentaries, emotional scenes, or tender moments.

Consider the licensing and copyright requirements when choosing music for your project. You can find out about everything on licensing under INFO HUB > LICENSING. Much of my music is royalty-free and has tiered pricing; another option is to work with composers to create custom-made scores that fit your specific needs.

Background music plays a crucial role in video, TV, film, commercials, and businesses for several reasons:

1. Emotional Impact: Music has the power to evoke emotions and enhance storytelling. It can intensify a scene's emotional depth, making it more relatable and memorable.

2. Atmosphere and Mood: Background music sets the tone and establishes the desired atmosphere. It can make viewers or customers feel more connected to the content or environment.

3. Engagement: Well-chosen music can capture and hold the audience's attention, making the content more engaging and compelling.

4. Branding and Identity: Businesses can use specific music to reinforce their brand identity and values, creating a recognizable and consistent image.

5. Memorability: Catchy or unique musical elements can make content more memorable, aiding in message retention and brand recall.

6. Pacing and Timing: Music helps control the pacing and timing of scenes, ensuring that the content flows smoothly and holds the viewer's interest.

7. Subconscious Influence: Background music can subtly influence viewer emotions and reactions, potentially affecting purchasing decisions or the way a message is perceived.

8. Cultural Connection: Music can resonate with cultural or demographic preferences, fostering a stronger connection with the intended audience.

9. Highlighting Key Moments: Music can be used to emphasize important moments, adding emphasis and impact to specific scenes or messages.

10. Enhanced Aesthetics: In visual media, music complements the visuals and enhances the overall sensory experience, making it more aesthetically pleasing.

Overall, background music is a powerful tool that can elevate the quality and impact of various forms of media and communication, helping to create a more immersive and effective experience for the audience.

Discover the power of simplicity with 45 core searchable emotions-moods that form the foundation of your emotional journey. Within each mood, like happy, triumph, joy, dark, pain, sad, mysterious, magical, fantasy, anxious, strong, fear, humor, fun, and funny, lies a world of related sub-moods. 

In combination with searching for emotions-moods, explore and embrace the five emotion-mood categories (happy-triumph-joy, anxious-strong-fear, etc.) as you find your music or curate playlists that capture the creative intricacies of your project. 

Don't hesitate to venture beyond the core 45 emotions-moods and discover new emotional connections. Let music be the guide that unveils the vast range of feelings, both within and beyond, enriching your journey and evoking powerful emotional connections.